It’s August at Wild Greens and that means the Ekphrasis issue is here! Our prompt, simple: Create art, writing, music, and more in response to a work previously published by Wild Greens.
In this wonderfully inspired issue, our community responds to and builds upon our rich shared history of five volumes of Wild Greens.
Hayley J. Boyle's cover image watercolor, "Monsters in Moments," interprets Carly Lewis's short story "From where I grew, another followed" (March 2023).
Patricia Joslin's poem, “To Read is Easier,” on writer’s block, responds to Kiley Miller’s essay “Words, Words, Words” from the April 2021 issue.
The first of three works by Melissa Lomax, “Be There” in acrylic and wood, takes its inspiration from the video poem “Escape” by David Brey (February 2022).
Robin Michel’s poem, “Dandelions,” on resilience, responds to Lisa Dailey’s acrylic and embroidery “Make a Wish” (May 2025).
Maggie Topel’s digital logo for this month gets as wild and green as possible.
Jeri Lewis Edwards’s poem, “You don’t know anything about pancakes (notes from conversations with my mother in a memory care unit),” inspired by “from the darkness the universe arises” collage by Irina Tall (January 2025), creates order and meaning from dislocation.
Melissa’s Lomax’s “Pumpkin Girl Thoughts” in liquid acrylic on rock after Pat Severin’s song “October Sky” (February 2025) connects fall weather with fond affection for a loved one.
In Liz Lydic’s short story, “Block Party,” the high stakes gossip of a neighborhood block party plays out in a letter an editor of a local paper, inspired by Turtle and Hare, “Neighbors,” by Lauren Kimball (July 2023).
“Snowy Cliff Dwelling,” photography and digital drawing by Melissa Lomax, positions an isolated but cozy home on a wintery mountain, in conversation with Irina Tall’s winter houses in her ink and gel pen “Untitled” (October 2023).
Will you become a part of our community this year, and see your own work reinterpreted in next year’s Ekphrasis issue? Have we inspired you? Who will you inspire?
-Rebecca
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Watercolor
after "Words, Words, Words" by Kiley Miller
To read is easierthan to write. It is. I turn pages to escapethoughts that I am not a poet. I tell myself to unwindwith a mystery novelon the long soft chaise, gaze at the clouds now grayafter the rain. Coffee cold,my heavy lids readyfor a nap on this lazyMonday afternoon.Instead I drag myself to my deskto draft beautiful linesthat might impress.I could write like Oliver about the natural world.Or frankly follow the Seuss sonnet form. Or tryto weave duplex magiclike Jericho. But the wordswon’t come today. Perhaps tomorrowI’ll capture how he sangwhen we danced,how he pardonedfaux pas with a laugh,before time tangled language into loneliness.Acrylic, wood
Inspiration: I continually enjoy the work of David Brey, and his poem “Stay” (from the “Escape” Issue) makes this especially true! I remember my Dad often saying “Be there...” to a stack of playing cards not yet turned over. Almost willing them to magically transform to his desire. We loved game night. Often intense, usually hilarious, and always fun. Whether he knew it or not, my dad was the life of the party. And he showed us how to BE in the moment—how to truly “Be There”.
after "Make a Wish" by Lisa Dailey
IYellow dandelions blossomed spring green. This is our birth month, Momma said. Happy. My small hand in hers, just the two of us, in a lush field. Aliveness quickened our step. This, Momma said, is a dandelion, too. She plucked a stem crowned with fluffy white tufts like her grandmother’s hair. She taught me to purse my lips, make a wish, and blow. Our wishes scattered here and there.by Maggie Topel
Digital drawing
Inspiration: I tried to get as wild and as green as possible. Basically, I was trying to be inspired by the title of the magazine itself. The wild foliage even overgrows the letters of the logo, and the dark layers of the background draw you into a green mystery.
after "from the darkness the universe arises" by Irina Tall (Novikova)
They’ve cut them all down, the trees, and made a beauty parlor.Liquid acrylic, rock
Inspiration: I was very moved by Pat Severin's song “October Sky” (from this year's “Garden” Issue). The fall always makes me feel deeply nostalgic, so the lyrics of this song fit perfectly within my heart and alongside the autumn-inspired art that I create. This particular piece was painted with my husband in mind, as we'll be happily married for 10 years this October!
after "Neighbors" by Lauren Kimball
by Liz Lydic
Dear Editor,
On the one hand, thank you for recognizing the recently held N. Cardinal Avenue to E. Lanceleaf Rd. block party by including your write-up in the July 8 issue. This kind of local activity is not covered enough in your press, which is odd, considering how deep your pockets must be from charging such high prices for real estate listings. However, and I hate to point this out, because I’m not a big fan of negativity, but an unfortunate and glaring miscalculation in the article was the statement of Ms. Whitney Steggart’s (1465 E. Lupine St.) involvement in the event. While Whitney Steggart did take on the “backbreaking” task of “spreading the word” to the residents in our neighborhood, you can’t exactly have a party without:
SuppliesTablesChairsBuntingFoodDrinksIce PlatesNapkinsForksSpoonsNametags‘Road Closed’ signsBalloonsI genuinely hate to say this, but someone did obtain those things, and the journalism performed by Umpqua Press on July 8 was not entirely comprehensive. I can’t argue with the truth that Whitney Steggart was “extremely instrumental” (publication’s words, not mine. As a matter of transparency, all the instances where I use quotation marks are verbatim chunks of text from reporter Joshua Pankeswky’s article) in the “high” attendance of the block party, including the presence of the Berfauser family (124 N. Aster St.), who are newcomers from Dallas; the Nichols sisters (393 E. Iris Rd. Unit #12); and most of all, local hermit Mr. Tescione (138 N. Aster St.), who many people—including children annually on Halloween—have not seen for years. And it is nice to know he is still alive, and apparently able to attend a block party when Whitney Steggart extends an invitation, though he has not responded to other suggestions of involvement (Girl Scout cookie sales, request to purchase same style recycling bins to create a sense of uniform curb appeal, or placing a simple string of Christmas lights along the perimeter of a roofline—like every other household is capable of pulling off).
But—“and here she goes again,” I can hear you saying, Editor—Mr. Tescione surely enjoyed the crudites and turkey pinwheels and brownie bites that someone who was not Whitney Steggart provided. You could almost say that Mr. Tescione was a horse led to water by Whitney Steggart, but she did not actually provide the water he then drank (but someone else who was not mentioned in the article did provide the water. Sparkling water, to be exact; three different flavors: Key Lime, Blackberry Twist, and Pomegranate Paradise. The same person provided giant Connect 4 and cornhole games, extra trash bags, hot dogs, vegan dogs, et. al, as well as a thought-out agenda, and the proactive and successful rule to not allow residents to invite non-neighborhood guests). The question that remains, then: would it have even BEEN a block party if not for the planning?
I really hate to say this, but just because someone is POPULAR and WELL-CONNECTED does not automatically make them the reason the block party was “a good time had by all.”
What if Whitney Steggart, “the mastermind behind this extraordinary coming-together of people, now burgeoning with a sense of community pride” had done “the lord’s work of rousing up residents” only to have them walk up to a plain old street?
A street without the Eagles’ greatest hits playing on mini speakers placed every half block, or both restaurant-style AND scoops-style Tostitos, or a bounce house, or insurance waivers, or the kid-friendly slime-making station, or a two-hour surprise visit from a mime. Could a “mastermind” have pulled those things out of her buns, Jason? Or, more importantly, DID she?
It’s apparent your journalism degree has made a lasting impact on our blocks: encouragement for Whitney Steggart to continue “a hopefully new, long-standing and meaningful tradition for lucky residents of this quaint 6-block radius”; and soul-crushing for others wishing as of July 8 to move out of state, who have put their home on the market, and who do not care for your publication’s high prices for house sale listings but do appreciate the ability to write a free letter to the editor.
Our bungalow-style former model home (1683 E. Lanceleaf Rd.) was recently upgraded and is turn-key, with a stunning open concept and a whopping 2.5 baths. New appliances, doors, and molding are highlighted by a fresh coat of paint. Dramatic foyer, vaulted ceilings, and great location near schools. Comes with a garage full of folding tables, decorations, leftover sparkling water, grills, and a one-year amplified sound permit.
Sincerely,
Barbara Meckes
Photograph, digital drawing
Inspiration: The work by Irina Tall Novikova is so beautiful, and I adore the houses that she created (for the “Hearth” Issue)! When I spotted these structures, I felt they could live on the same mountain as the cozy (but precarious) dwelling I had illustrated for GoComics.com. I love and relate to what Irina wrote, “...A house with a small window in a snowy forest, where there is a single fussy peephole and a soft chair, an old oil lamp, and behind the threshold—snow masks and sirens, and a dog running somewhere.”
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Patricia Joslin currently resides in North Carolina, transplanted from Minnesota. Her first poetry collection, I’ll Buy Flowers Again Tomorrow was published in 2023. A second collection awaits publication. Poems have appeared in a variety of journals. Patricia is a former educator and an active volunteer in the community working to address issues of food insecurity. Online: patriciajoslin.com
Melissa Lomax (she/her) is a freelance illustrator, writer, and cartoonist, with 20 years of experience in the creative industry. Some of her clients include American Greetings, Sellers Publishing, Great Arrow Graphics, Lenox Corporation, and Highlights for Children. Her comic 'Doodle Town' posts on GoComics.com, the largest catalog of syndicated cartoons and comics. When she is not in the art studio, she enjoys spending time in nature, drinking really good coffee, and 'everyday adventures' with her husband. Pop by her Instagram @melissalomaxart for weekly inspiration!
Maggie Topel (she/her) is an artist and writer living in Philadelphia. She designs our seasonal Wild Greens logos and social media avatar.
Robin Michel (she/her) was born in Utah and moved to Northern California at the age of seventeen. Her poetry and prose have appeared or is forthcoming in Boudin, Cloudbank, Gordon Square Review, The MacGuffin, Prime Number, Sand Hills, Sport Literate, and elsewhere. She is the author of Beneath a Strawberry Night Sky (Raven & Wren Press, 2023) and the award-winning chapbook Things Will Be Better in Bountiful (Comstock Review, 2024). Robin lives in San Francisco. www.robinmichelwriter.com
Jeri Lewis Edwards is a mixed media artist, poet, and naturalist residing along the Central Coast of California. Nominated for a Pushcart Prize, her poems and visual art have been published in numerous literary journals such as Dulcet Literary Magazine, HindSight, Silver Birch Press, Poet Lore, Naugatuck River Review, The Penn Review, Cool Beans Lit, The Stillwater Review, Wild Roof Journal, The Wee Sparrow Poetry Press, among many others. Her Chapbook, “This Place of Wanting Nothing,” will be published this fall by Finishing Line Press. You can find some of her work on her Instagram: @Jeri2ravensstudio.
Liz Lydic is a mom, writer, and local government employee in the Los Angeles area. She also does theater stuff. Her work can be found at lizlydic.com
Tim Brey (he/him) is a jazz pianist living in Philadelphia. He holds positions as Artist-in-Residence and Adjunct Faculty at Temple University and The University of the Arts, where he teaches jazz piano, music theory, and improvisation. Check out more of his music and his performance schedule at https://www.timbreymusic.com.
Jessica Doble (she/her) holds a PhD in English from the University of Louisiana at Lafayette. She's published two critical works: “Hope in the Apocalypse: Narrative Perspective as Negotiation of Structural Crises in Salvage the Bones” in Xavier Review, and “Two-Sides of the Same Witchy Coin: Re-examining Belief in Witches through Jeannette Winterson’s The Daylight Gate” in All About Monsters. Her poetry has appeared in PubLab and Wild Greens magazine.
Myra Chappius (she/her) is the author of six works of fiction and poetry. While her passion lies with shorter creations, it is her aspiration to complete a full-length novel and screenplay someday. She enjoys reading, tennis, cinema, live music, and seeing the world. When not doing mom things, she is working full-time, learning yet another language, and planning her next adventure.
Her work can be purchased on Amazon.
Jacqueline (she/her) edits fiction and nonfiction as the senior editor for Wild Greens magazine. She earned her BA in English and creative writing at the University of California, Riverside, and completed training as a 2021 publishing fellow with the Los Angeles Review of Books. She previously served as a co-editor for PubLab, editor for UCR's Mosaic Art and Literary Journal, and as an intern with Soho Press. In her free time, she loves to read all kinds of stories, including YA, literary fiction, sci-fi, and fantasy.
Hayley (she/her) creates the cover image for every issue of Wild Greens and serves as the Arts Editor. Hayley is a social justice seeker, world traveler, rock climber, dog snuggler, frisbee player, event planner, and storyteller. She loves to paint with watercolors, embroider, and write. She grew up reading sci-fi and fantasy, and, to this day, she still turns to those genres to help her make sense of the world. She calls Philadelphia home where she lives with her husband Evan and dog Birdie, and she wouldn't have it any other way. You can find Hayley on Instagram @hayley3390.
Rebecca Lipperini (she/her) is a writer, teacher, and academic living in Philadelphia, and the founding editor of Wild Greens magazine. She holds a PhD in English from Rutgers University, where she taught all kinds of classes on literature and poetry and writing, and wrote all kinds of papers on the same. Her essay on the soothing aesthetics of the supermarket was recently published in PubLab. She teaches in the Critical Writing Program at the University of Pennsylvania.
You can find Rebecca on Instagram @rebeccalipperini (personal) @wildgreensmag (you already know it).