Miniature homes in mushrooms and corked glass bottles for thumb-sized fairies. Spellbinding colors and patterns in watercolor pencil and crayon. A wish on a delicate, embroidered dandelion. This month’s issue of Wild Greens is an enchanted garden of literary and artistic delights.
Maggie Topel's digital logo “Enchanted” entices us into a fairy ring created by fantastic red mushrooms. It will transport us into the issue of Wild Greens.
Melissa Lomax’s watercolor and crayon “Mushroom Village 03” depicts a tiny village of mushrooms, complete with miniature lawn chairs and chimneys that suggest someone small and magical may be at home.
Carol Mikoda’s poem “True Love” evokes love and magic, inviting fairies to a lawn party. Grace Clark’s watercolor and colored pencil “Glass Terrarium” makes us look twice; is this an ordinary terrarium, or are those fairies in the cacti?
Kimvalrie Neal's watercolor pencil and color foil “All in Nature” depicts the cycle of nature in stunning colors.
In Nilsa Mariano’s short story, a woman visits "The Healer," who gives her a riddle. The riddle suggests that love can mend a broken heart.
Lisa Dailey’s “Make a Wish” depicts a delicate dandelion seed head in acrylic and embroidery. In Ngonidzashe Mhizha’s poem “Hypnotic,” love casts a spell over the speaker.
Angela Patera’s watercolor “The Owl Whisperer” pulls us into a fantastic world of magic and adventure.
When you leave the issue, we hope you take a little piece of the enchanted with you. A tiny seed in a bottle, a bit of earth in your pocket, a poem in your ear.
-Rebecca
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by Maggie Topel
Digital drawing
Inspiration: For the "Enchanted" theme, I was inspired by fairy circles! I first tried using white mushrooms for a more realistic look, but I thought it didn't look enchanted enough, so I went with some fanciful red magic mushrooms.
by Melissa Lomax
Watercolor & crayon
Inspiration: I have always loved the idea of “tiny little worlds” hidden in plain sight. In this miniature village, the inhabitants happily live in expertly converted mushroom homes. This is a piece from an ongoing series made with wax oil pastel and black watercolor, which creates a resist technique. Because the black watercolor is applied over the crayons as the final step of the process... the end result is truly a magical surprise!
by Grace Clark
Watercolor and colored pencil
Inspiration: I am very drawn to the idea of enchanted gardens or enchanted forests, anything that has to do with plants and greenery. I created this little illustration of a glass terrarium for a watercolor class I was teaching, and at first it was just an average bottle with some plants growing in it. Later on I had the inspiration to make it a little more magical looking, so I broke out my sparkly watercolors, colored pencils, and gel pen to add some small details that suggest this might not be an ordinary terrarium. Who knows, maybe fairies could be living among the cacti in it?
by Kimvalrie Neal
Watercolor pencil, color foil on paper
Inspiration: We all come from nature, which seems to run an endless cycle. The cycle is a fascinating wilderness where we, all the creatures, reside and circulate. Some of us try to understand what this all means; some other of us just want to enjoy the ride; the rest of us don't want to drop the ball that we are handed in this circle of life.
by Nilsa Mariano
I heard that she was a healer, and despite my good health, my heart was hurting. It felt bruised and tender. Betrayed and bereft, I longed for faith or hope. Concerned friends gave me the address. The house was set back on a country road, with five-foot fences staked on each side of the walkway to protect the enclosed gardens.
Tinkling chimes were hung throughout; tiny house bird feeders stood architecturally proud. Gables, gingerbread trim, teeny columns, and chimneys; you could see the attention to detail in each one.
There were rocks near flowering plants, painted with inspiring messages and patterns that looked joyous and innocent. I wondered if she had children paint them, or if this was evidence of her nature. Looking right to left, I watched the play of light as the breeze moved bells and small colorful pinwheels spun carefree in patterns of dots, stripes, and colors of red, blue, yellow, and purple.
Iridescent colored glass decorated several chimes on her porch, so large their tubes almost skimmed the ground. Eyes of glass surrounded the bell on her door. My cultural upbringing understood that they were for protection. The door opened to the brief soundtrack of Bob Marley’s “Stir It Up.” I was intrigued.
I first noticed she was tall. But then again, I am short. Anyway, she was dressed in flowing pants and a flowered shirt in soft violet colors. She wore multiple bracelets of beads, stones, and gold. Thick curls of silver framed her face, yet her skin had no discernible lines or wrinkles except around her eyes when she smiled. Her voice was soft but not fake, meditative, like the mellow tone of a Spanish guitar. She asked my language of preference and apologized because she only spoke six. English, Spanish, Italian, German, Mandarin, and Faerie. When I told her I loved her garden, she smiled warmly and invited me to see the huge one in the back. We stepped out to her back deck, where the fantasy of Narnia seemed to have originated.
There were roses, violets, gaillardia, more bird feeders, and magical creatures. Tiny dragons with wings and a bit of an attitude puffed smoke at me from their rear ends as they glided by. Winged unicorns, semi-dressed nymphs, bearded gnomes, dragonflies, a couple of miniature horses eager for petting, and birds that spoke in many languages chirped their greetings. Teeny mermaids with glistening fins swam in a fountain. They spray us with water from their teeny mouths as we walk by, then jump in the water, giggling. The walkways glistened in neon colors. Between tall stacks of sunflowers and tiny faerie villages, we spent hours sipping wine from grapes she harvested outside her greenhouse.
As dusk began to fall, we ate greens, fruits, and cheese curds with fresh hot bread. We laughed and joked until I spilled my whole life, while she listened attentively. I can’t remember what she responded with, but the words left me feeling tender, cared for, even a bit wiser. I do remember she quoted some poetry and got up several times to fetch a book and read a passage. The memory is in my mind, a visual picture with no spoken narrative.
I woke up the next day not knowing when I left or how I got home. A basket of fruit with a set of chimes lay on my table. Reaching for the chimes, my ears pick up a low undertone, a secret chord from the tubular bells. A note tucked inside the basket says, “One life, only love can.” I am not sure what that means. I don’t like cryptic notes.
I glance out the window and see my neighbor struggling to carry in her garbage can and recycling containers. She is an avid recycler, fervent environmentalist, and physically frail human. I grab my jacket and go out the door, greet her, and take two recycling bins into her garage. I then go back and get two more. She is very grateful and asks how she can repay me. I look at her and respond, “Well, just save me a cookie when you bake.” She smiles, since she claims to be a great baker. “You got it,” she says.
I go back to my house and put away the fruit: grapes, pears, and apples. I wonder again what her cryptic message means: “One life, only love can.” It hits me as grammatically injured or stunted. Hmm, that will stay with me for a while. Embarrassed that I may have been drunk, and that is why I don’t remember how I got home, I put it to the side. Nothing I can do now, and I am okay. Instead of worrying about it, I think I will invite some friends over to get some opinions on this cryptic message.
That will certainly generate an interesting conversation. As for the magical part of the garden, that’s mine to savor. The house seems too quiet now, so I put on some music; for some reason, Bob Marley is on my mind.
by Lisa Dailey
acrylic, embroidery
Inspiration: Once I had the background, I knew some kind of flower was needed. The colors reminded me of spring and dandelions. I think dandelions take one back to childhood when mom's prompted to "make a wish" and scatter the seeds to the wind. For me, this is enchanted.
by Angela Patera
Watercolors on sketchbook paper
Inspiration: I truly believe magic is real, and it can be found in every nook and cranny of nature. From the vastest spaces—forests, seas, and mountains, to the tiniest spots—ponds, rock piles, and fairy rings.
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Maggie Topel (she/her) is an artist and writer living in Philadelphia. She designs our seasonal Wild Greens logos and social media avatar.
Grace Clark (she/her) is an artist from Pennsylvania who received her illustration degree from Arcadia University in May 2024. She focuses on creating whimsical watercolor illustrations featuring animals and nature subjects and loves to add a touch of humor to all of her work.
Carol Mikoda (she/her), a retired educator, is the author of two chapbooks, While You Wait, and Wind and Water, Leaf and Lake. Her third, Outside of Time, will be released in Fall of 2025. Her work appears in many literary journals, and her prose poem, "Jesus at the Pub," was nominated for Best of the Net and the Pushcart Prize in 2024. She lives near Seneca Lake in New York State and has strong attachments to clouds, trees, water, and music.
Kimvalrie Neal (or Kim Neal) is a Taiwanese American self-taught artist and poet who decided to pack up her legal practice in late 2021 for a healthier lifestyle and turned to art creation in early 2022.
Kim's visual art and poetry invite the audience to join her in subliming our emotions and exploring our shared human nature. Her works internalize many Western and Asian cultural and philosophical concepts. She believes that together, we may all learn to be more understanding of this world and still find ways to be ourselves.
When creating visual art, Kim often uses strong colors and mixed media. Her artworks often feature reflective materials in the mixed media, especially color foil. Color foil tape/paper generates brilliant, flowy, changing colors as a person moves in the space to view the artworks from different angles, informing the audience that truth can be multifaceted.
Kim and her husband, Dan Neal (who is from Oregon, U.S.A.), met in Taipei, Taiwan, in 1998. They moved to New York State in 2008. Currently, they reside by a lake in Dutchess County, New York.
Nilsa (Evie) has been published in Stone Canoe, Wild Greens, Muleskinner, Five Minute Lit, Persephone and Panopolyzine. She is most proud of having a short story published in the inaugural edition of Chicken Soup for the Latino Soul. She has a story upcoming in the voices of Central New York anthology series. Nilsa has a Master of Arts in comparative literature from Binghamton University, NY. She is grateful for editors.
Lisa Dailey’s art is a celebration of color, texture, and the beauty of nature. As a mixed media artist, she brings unexpected elements together to create work that is both vibrant and expressive, drawing inspiration from intricate patterns and designs in nature. Lisa incorporates embroidery into many pieces, adding texture and detail. She loves experimenting, whether by adding beadwork or upcycling household materials for collage. When she’s not in her studio, she can often be found cooking (and writing a soup blog), capturing life’s little moments through photography, exploring off-the-beaten-path destinations around the globe, or picking up shiny things. lisa-dailey.com.
Ngoniszashe Mhizha is a Zimbabwean aspiring poet and short story writer, a Pushcart Prize nominee. You can find her published work on www.1sail1art.org. You can whatsapp her on 0785056703 or message her on Facebook.
Angela Patera is a published writer, artist, and poet. Her short stories and poems have appeared in publications such as Livina Press, Myth & Lore Zine, Rill and Grove Poetry Journal, and elsewhere. Her art has appeared in numerous publications, as well as on the cover of Small Wonders Magazine, Indie Bites Magazine, The Ophelia Gazette, and a few more. When Angela isn't creating, she likes to spend time outside in nature.
Melissa Lomax (she/her) is a freelance illustrator, writer, and cartoonist, with 20 years of experience in the creative industry. Some of her clients include American Greetings, Sellers Publishing, Great Arrow Graphics, Lenox Corporation, and Highlights for Children. Her comic 'Doodle Town' posts on GoComics.com, the largest catalog of syndicated cartoons and comics. When she is not in the art studio, she enjoys spending time in nature, drinking really good coffee, and 'everyday adventures' with her husband. Pop by her Instagram @melissalomaxart for weekly inspiration!
Tim Brey (he/him) is a jazz pianist living in Philadelphia. He holds positions as Artist-in-Residence and Adjunct Faculty at Temple University and The University of the Arts, where he teaches jazz piano, music theory, and improvisation. Check out more of his music and his performance schedule at https://www.timbreymusic.com.
Jessica Doble (she/her) holds a PhD in English from the University of Louisiana at Lafayette. She's published two critical works: “Hope in the Apocalypse: Narrative Perspective as Negotiation of Structural Crises in Salvage the Bones” in Xavier Review, and “Two-Sides of the Same Witchy Coin: Re-examining Belief in Witches through Jeannette Winterson’s The Daylight Gate” in All About Monsters. Her poetry has appeared in PubLab and Wild Greens magazine.
Myra Chappius (she/her) is the author of six works of fiction and poetry. While her passion lies with shorter creations, it is her aspiration to complete a full-length novel and screenplay someday. She enjoys reading, tennis, cinema, live music, and seeing the world. When not doing mom things, she is working full-time, learning yet another language, and planning her next adventure.
Her work can be purchased on Amazon.
Jacqueline (she/her) edits fiction and nonfiction as the senior editor for Wild Greens magazine. She earned her BA in English and creative writing at the University of California, Riverside, and completed training as a 2021 publishing fellow with the Los Angeles Review of Books. She previously served as a co-editor for PubLab, editor for UCR's Mosaic Art and Literary Journal, and as an intern with Soho Press. In her free time, she loves to read all kinds of stories, including YA, literary fiction, sci-fi, and fantasy.
Hayley (she/her) creates the cover image for every issue of Wild Greens and serves as the Arts Editor. Hayley is a social justice seeker, world traveler, rock climber, dog snuggler, frisbee player, event planner, and storyteller. She loves to paint with watercolors, embroider, and write. She grew up reading sci-fi and fantasy, and, to this day, she still turns to those genres to help her make sense of the world. She calls Philadelphia home where she lives with her husband Evan and dog Birdie, and she wouldn't have it any other way. You can find Hayley on Instagram @hayley3390.
Rebecca Lipperini (she/her) is a writer, teacher, and academic living in Philadelphia, and the founding editor of Wild Greens magazine. She holds a PhD in English from Rutgers University, where she taught all kinds of classes on literature and poetry and writing, and wrote all kinds of papers on the same. Her essay on the soothing aesthetics of the supermarket was recently published in PubLab. She teaches in the Critical Writing Program at the University of Pennsylvania.
You can find Rebecca on Instagram @rebeccalipperini (personal) @wildgreensmag (you already know it).